Any new projects on the horizon?
My second novel is tentatively titled Suzanna. This is another work of women’s fiction. In this story, set in the 1980s, the female protagonist’s quest for autonomy is challenged by the era’s cultural barriers and a co-dependent and mentally abusive relationship. I think readers will enjoy the introduction of a coincidental experience, that some may call paranormal, that we all have experienced but are hesitant to admit.
Words of advice for fellow writers in the trenches:
One of the biggest helps to me has been the community of other writers and professional associations. The Authors Guild, The Women Fiction Writers Association, and the Independent Book Publishers Association have been invaluable to me. Join as many of these professional groups as possible. Second, have a team of competent people to provide critique and improvement to your story and writing. If you go the self-publication route, put together a high-caliber team of professionals who can advise and help you through the process.
What was the most interesting part of the story to write/research?
As I said in one of my blog posts, it has been the supplemental research that has proved fascinating.
Specifically, researching Irish immigration to Canada and the US and uncovering the stories of “coffin ships,” the horrible number of deaths of Irish immigrants, and the perils of transatlantic voyages.
A painful discovery was the euphemistically titled “maternity home” for unwed mothers that proliferated during the 1950s and early 1960s. One of the characters in the story describes her experience: “Many of the girls have registered under an assumed name, and I’m not even sure when I talk with someone whether she is using a manufactured or real name. I’m so happy that I refused to be stripped of my identity like so many of the others. At least I have that comfort. You can’t believe how the staff shames us and pressures us to give up our babies for adoption. Most of the girls are surrendering their newborns, even though that’s not their wish. I’m so thankful that Pop supported my decision to keep the baby, even though it wasn’t what Mother wanted.”
I used several resources to research various aspects of the era and the geographical areas that provide the backdrop for Blackhorse Road. For those interested in digging more deeply into the period and explore more on their own, I’ve posted some of these resources on my website.